Scary Writers Reveal the Most Frightening Tales They have Ever Encountered

Andrew Michael Hurley

The Summer People by Shirley Jackson

I discovered this story some time back and it has lingered with me from that moment. The titular seasonal visitors turn out to be the Allisons from the city, who rent an identical remote rural cabin each year. On this occasion, rather than returning to the city, they decide to extend their vacation an extra month – an action that appears to disturb everyone in the adjacent village. Everyone conveys an identical cryptic advice that not a soul has ever stayed by the water after the holiday. Even so, the Allisons are resolved to stay, and that is the moment situations commence to grow more bizarre. The individual who brings the kerosene won’t sell to them. Nobody is willing to supply food to their home, and when they attempt to drive into town, their vehicle refuses to operate. A storm gathers, the batteries of their radio die, and with the arrival of dusk, “the aged individuals crowded closely within their rental and expected”. What are the Allisons anticipating? What do the residents be aware of? Each occasion I read Jackson’s disturbing and inspiring tale, I’m reminded that the finest fright originates in that which remains hidden.

An Acclaimed Writer

An Eerie Story by Robert Aickman

In this brief tale a couple journey to a typical coastal village where bells ring continuously, a perpetual pealing that is bothersome and unexplainable. The initial very scary scene occurs after dark, at the time they decide to walk around and they fail to see the sea. The beach is there, the scent exists of rotting fish and brine, surf is audible, but the sea seems phantom, or a different entity and more dreadful. It’s just profoundly ominous and each occasion I visit to the coast in the evening I remember this story that ruined the ocean after dark for me – positively.

The recent spouses – she’s very young, the man is mature – return to their lodging and find out why the bells ring, in a long sequence of enclosed spaces, gruesome festivities and mortality and youth encounters grim ballet chaos. It’s a chilling reflection on desire and decay, two bodies growing old jointly as spouses, the attachment and aggression and affection in matrimony.

Not just the most frightening, but likely one of the best brief tales in existence, and a personal favourite. I read it en español, in the debut release of Aickman stories to be released in this country a decade ago.

A Prominent Novelist

Zombie from an esteemed writer

I delved into Zombie by a pool in the French countryside a few years ago. Even with the bright weather I sensed cold creep through me. I also felt the electricity of excitement. I was writing a new project, and I faced a block. I was uncertain if there was a proper method to compose various frightening aspects the narrative involves. Going through this book, I realized that it could be done.

First printed in the nineties, the book is a grim journey through the mind of a young serial killer, the main character, based on a notorious figure, the murderer who killed and cut apart 17 young men and boys in the Midwest during a specific period. Notoriously, the killer was consumed with producing a compliant victim that would remain with him and made many macabre trials to accomplish it.

The actions the book depicts are horrific, but similarly terrifying is the psychological persuasiveness. The character’s dreadful, shattered existence is plainly told using minimal words, details omitted. The audience is sunk deep stuck in his mind, forced to observe thoughts and actions that shock. The alien nature of his psyche feels like a physical shock – or being stranded on a barren alien world. Starting this story is not just reading but a complete immersion. You are swallowed whole.

Daisy Johnson

White Is for Witching from Helen Oyeyemi

When I was a child, I sleepwalked and later started having night terrors. At one point, the horror involved a dream in which I was trapped within an enclosure and, upon awakening, I realized that I had torn off the slat from the window, attempting to escape. That home was decaying; when storms came the entranceway flooded, maggots dropped from above onto the bed, and on one occasion a sizeable vermin scaled the curtains in my sister’s room.

After an acquaintance presented me with the story, I had moved out at my family home, but the narrative regarding the building perched on the cliffs seemed recognizable in my view, nostalgic as I felt. It is a novel concerning a ghostly noisy, sentimental building and a female character who consumes calcium off the rocks. I adored the book so much and returned frequently to the story, consistently uncovering {something

Mark Williams
Mark Williams

Elara is a passionate hiker and writer who documents her wilderness expeditions and shares insights on sustainable travel.